Connie Smith Booking Agency | Connie Smith Event Booking

Best Booking Agency For Connie Smith For Private Parties, Concerts And Events

 

How much does it cost to book Connie Smith?

For acts like Connie Smith, most venues are paid up front, and they get paid whether the concert is successful or not. The average cost to rent an arena is around $20,000/night while the average cost to rent an amphitheater is around $10,000/night. Smaller acts cost less, but their audience can is also be less.

And for many people, hiring entertainment for an event can be an overwhelming task.

We are a leading entertainment booking and corporate events management company, specializing in booking acts like Connie Smith

We handle every detail. Whether you have a crowd of thousands, or a smaller guest list, our corporate event management team can create the perfect event for your business. We have extensive experience negotiating with agents, managers, and acts like Connie Smith themselves.

We can get the entertainers you desire to perform at your event.

Whether you are booking corporate entertainment, planning a corporate party or looking for festival or convention entertainment, we have the right experience you are looking for.

We will be the liaison between you and Connie Smith, ensuring a creative and successful event. We assure you a rewarding experience with Connie Smith. To get started finding out more about booking Connie Smith for your event, fill out the form below.

Festivals, parties, fundraisers, or any VIP event will benefit from the exclusive entertainment that OmniEntertainment offers. Whether you are a small business or a large corporation, you rely on us for your corporate event planning needs.

You should feel confident that the agency you have chosen is an experienced, professional entertainment booking agency. You’ve worked hard up until this point, so please contact Omni today to book Connie Smith!

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Connie Smith (born Constance June Meador; August 14, 1941) is an American country music artist. Discovered in 1963, Smith signed with RCA Victor Records the following year and remained with the label until 1973. Her debut single “Once a Day” reached number one on the Billboard Hot Country Songs chart in November 1964 and remained at the top position for eight weeks. The song became Smith’s biggest hit and was nominated at the Grammy Awards for Best Female Country Vocal Performance. Smith’s success continued through 1960s and mid 1970s with nineteen more top-ten hits (including “Then and Only Then”, “Ain’t Had No Lovin'”, “Cincinnati, Ohio”, “I Never Once Stopped Loving You” and “Ain’t Love a Good Thing”) on the country songs chart.

In the early 1970s, Smith began recording Gospel music more frequently as she became more serious in her Christianity. As she focused more heavily on religion, Smith became known for her outspoken religious demeanor at concerts and music venues. At the same time, Smith spent more time raising her five children than focusing on music. She eventually went into semi-retirement in 1979. Smith would return to recording briefly in the mid 1980s with Epic Records. However, it was not until her collaboration with Marty Stuart in the 1990s that she returned permanently. Their musical friendship would turn romantic, leading to their marriage in 1997. The pairing led to Smith’s first studio album in twenty years, Connie Smith. Critically acclaimed, Smith began performing again and has since recorded two more studio albums.

Originally posted 2019-08-11 15:05:08.

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[wpts_spin] We {help|assist} make {corporate|business} {events|occasions}, {private|personal} {parties|celebrations}, fairs, {festivals|celebrations}, public {concerts|shows|performances}, and other gala {events|occasions} reach their {potential|prospective|possible} by {providing|offering|supplying} the artists that make your visitors {glad|happy|pleased|delighted|thankful|grateful} they came. From {booking|reserving|scheduling} {the best|the very best} in {entertainment|home entertainment} that {suits|fits|matches} your {budget|budget plan|spending plan} and {viewers|audiences}, to {coordinating|collaborating} all {aspects|elements} of the {performance|efficiency}, Omnientertainment works for you to {make sure|ensure|make certain} your {show|program} goes off {smoothly|efficiently}.

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From Wikipedia

{{A talent agent|A talent scout}, or {booking|reserving|scheduling} {agent|representative}, is {a person|an individual} who {finds|discovers} {jobs|tasks} for {actors|stars}, authors, {film|movie} directors, {musicians|artists}, {models|designs}, {professional|expert} athletes, {writers|authors}, {screenwriters|film writers}, broadcast {journalists|reporters}, and other {professionals|experts|specialists} in {various|different|numerous} {entertainment|home entertainment} or broadcast {businesses|companies|services|organisations} {but|however} {also|likewise} {agents|representatives}. In addition, {an agent|a representative} {defends|protects|safeguards}, {supports and promotes the interest|promotes the interest and supports} of their {clients|customers}. The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. {{For example|For instance}, there are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many more|a lot more|much more}.|There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}|The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}

{Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). {In many cases|Oftentimes|In most cases|In a lot of cases}, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. The {agent|representative} is paid {a percentage|a portion} of the star’s {earnings|profits|incomes|revenues} ({typically|generally|usually|normally} 10%). {{Therefore|For that reason}, {agents|representatives} are {sometimes|in some cases|often} {referred to|described} as “10 percenters”.|{Agents|Representatives} are {sometimes|in some cases|often} referred to as “10 percenters”.} {Various|Different|Numerous} {regulations|policies|guidelines} govern {different|various} {types of|kinds of} {agents|representatives}. The {regulations|policies|guidelines} are {established|developed} by artist’s unions and the legal jurisdiction in which the {agent|representative} {operates|runs}. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.|Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). In {many|numerous|lots of} cases, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.}

{Talent agents|Talent scout} are {considered|thought about} gatekeepers to their {client|customer}’s {careers|professions}. They have the {ability|capability} to {reshape|improve} and {reconstruct|rebuild} their {client|customer}’s image. They are dealmakers and {assist|help} their {client|customer} by {orchestrating|managing} {deals|offers} within the {entertainment industry|show business}, more {specifically|particularly} in the Hollywood {entertainment industry|show business}.

In California, {because|since|due to the fact that} {talent|skill} {agencies|companies|firms} are {working with|dealing with} {lucrative|profitable|rewarding|financially rewarding} {contracts|agreements}, the {agencies|companies|firms} {must|should|need to} be {licensed|certified|accredited} under {special|unique} {sections|areas} of the California Labor Code, which {defines|specifies} {an agent|a representative} as a “{person|individual} or corporation who {engages in|participates in|takes part in} the {occupation|profession} of procuring, offering, {promising|appealing}, or {attempting|trying} to {procure|obtain|acquire} {employment|work} for an artist or artists.

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