Kathy Mattea Booking Agency | Kathy Mattea Event Booking

Best Booking Agency For Kathy Mattea For Private Parties, Concerts And Events

 

How much does it cost to book Kathy Mattea?

For acts like Kathy Mattea, most venues are paid up front, and they get paid whether the concert is successful or not. The average cost to rent an arena is around $20,000/night while the average cost to rent an amphitheater is around $10,000/night. Smaller acts cost less, but their audience can is also be less.

And for many people, hiring entertainment for an event can be an overwhelming task.

We are a leading entertainment booking and corporate events management company, specializing in booking acts like Kathy Mattea

We handle every detail. Whether you have a crowd of thousands, or a smaller guest list, our corporate event management team can create the perfect event for your business. We have extensive experience negotiating with agents, managers, and acts like Kathy Mattea themselves.

We can get the entertainers you desire to perform at your event.

Whether you are booking corporate entertainment, planning a corporate party or looking for festival or convention entertainment, we have the right experience you are looking for.

We will be the liaison between you and Kathy Mattea, ensuring a creative and successful event. We assure you a rewarding experience with Kathy Mattea. To get started finding out more about booking Kathy Mattea for your event, fill out the form below.

Festivals, parties, fundraisers, or any VIP event will benefit from the exclusive entertainment that OmniEntertainment offers. Whether you are a small business or a large corporation, you rely on us for your corporate event planning needs.

You should feel confident that the agency you have chosen is an experienced, professional entertainment booking agency. You’ve worked hard up until this point, so please contact Omni today to book Kathy Mattea!

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Kathleen Alice Mattea (born June 21, 1959) is an American country music and bluegrass singer. Active since 1984 as a recording artist, she has charted more than thirty singles on the Billboard Hot Country Songs charts, including four that reached No. 1: “Goin’ Gone”, “Eighteen Wheels and a Dozen Roses”, “Come from the Heart”, and “Burnin’ Old Memories”, plus twelve more that charted within the top ten. She has released fourteen studio albums, two Christmas albums, and one greatest hits album. Most of her material was recorded for Universal Music Group Nashville’s Mercury Records Nashville division between 1984 and 2000, with later albums being issued on Narada Productions, her own Captain Potato label, and Sugar Hill Records. Among her albums, she has received five gold certifications and one platinum certification from the Recording Industry Association of America (RIAA). She has collaborated with Dolly Parton, Michael McDonald, Tim O’Brien, and her husband, Jon Vezner. Mattea is also a two-time Grammy Award winner: in 1990 for “Where’ve You Been”, and in 1993 for her Christmas album Good News. Her style is defined by traditional country, bluegrass, folk, and Celtic music influences.

Mattea was born in South Charleston, West Virginia, as the only daughter of three children, and grew up in Cross Lanes.[2] Her father worked in a chemical plant and her mother was a homemaker.[3] She sang in her parents’ church as a child, and in high school she performed at school shows and family gatherings.[4]

Originally posted 2019-08-11 15:16:02.

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[wpts_spin] We {help|assist} make {corporate|business} {events|occasions}, {private|personal} {parties|celebrations}, fairs, {festivals|celebrations}, public {concerts|shows|performances}, and other gala {events|occasions} reach their {potential|prospective|possible} by {providing|offering|supplying} the artists that make your visitors {glad|happy|pleased|delighted|thankful|grateful} they came. From {booking|reserving|scheduling} {the best|the very best} in {entertainment|home entertainment} that {suits|fits|matches} your {budget|budget plan|spending plan} and {viewers|audiences}, to {coordinating|collaborating} all {aspects|elements} of the {performance|efficiency}, Omnientertainment works for you to {make sure|ensure|make certain} your {show|program} goes off {smoothly|efficiently}.

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From Wikipedia

{{A talent agent|A talent scout}, or {booking|reserving|scheduling} {agent|representative}, is {a person|an individual} who {finds|discovers} {jobs|tasks} for {actors|stars}, authors, {film|movie} directors, {musicians|artists}, {models|designs}, {professional|expert} athletes, {writers|authors}, {screenwriters|film writers}, broadcast {journalists|reporters}, and other {professionals|experts|specialists} in {various|different|numerous} {entertainment|home entertainment} or broadcast {businesses|companies|services|organisations} {but|however} {also|likewise} {agents|representatives}. In addition, {an agent|a representative} {defends|protects|safeguards}, {supports and promotes the interest|promotes the interest and supports} of their {clients|customers}. The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. {{For example|For instance}, there are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many more|a lot more|much more}.|There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}|The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}

{Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). {In many cases|Oftentimes|In most cases|In a lot of cases}, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. The {agent|representative} is paid {a percentage|a portion} of the star’s {earnings|profits|incomes|revenues} ({typically|generally|usually|normally} 10%). {{Therefore|For that reason}, {agents|representatives} are {sometimes|in some cases|often} {referred to|described} as “10 percenters”.|{Agents|Representatives} are {sometimes|in some cases|often} referred to as “10 percenters”.} {Various|Different|Numerous} {regulations|policies|guidelines} govern {different|various} {types of|kinds of} {agents|representatives}. The {regulations|policies|guidelines} are {established|developed} by artist’s unions and the legal jurisdiction in which the {agent|representative} {operates|runs}. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.|Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). In {many|numerous|lots of} cases, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.}

{Talent agents|Talent scout} are {considered|thought about} gatekeepers to their {client|customer}’s {careers|professions}. They have the {ability|capability} to {reshape|improve} and {reconstruct|rebuild} their {client|customer}’s image. They are dealmakers and {assist|help} their {client|customer} by {orchestrating|managing} {deals|offers} within the {entertainment industry|show business}, more {specifically|particularly} in the Hollywood {entertainment industry|show business}.

In California, {because|since|due to the fact that} {talent|skill} {agencies|companies|firms} are {working with|dealing with} {lucrative|profitable|rewarding|financially rewarding} {contracts|agreements}, the {agencies|companies|firms} {must|should|need to} be {licensed|certified|accredited} under {special|unique} {sections|areas} of the California Labor Code, which {defines|specifies} {an agent|a representative} as a “{person|individual} or corporation who {engages in|participates in|takes part in} the {occupation|profession} of procuring, offering, {promising|appealing}, or {attempting|trying} to {procure|obtain|acquire} {employment|work} for an artist or artists.

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