Mickey Gilley Booking Agency | Mickey Gilley Event Booking

Best Booking Agency For Mickey Gilley For Private Parties, Concerts And Events

 

How much does it cost to book Mickey Gilley?

For acts like Mickey Gilley, most venues are paid up front, and they get paid whether the concert is successful or not. The average cost to rent an arena is around $20,000/night while the average cost to rent an amphitheater is around $10,000/night. Smaller acts cost less, but their audience can is also be less.

And for many people, hiring entertainment for an event can be an overwhelming task.

We are a leading entertainment booking and corporate events management company, specializing in booking acts like Mickey Gilley

We handle every detail. Whether you have a crowd of thousands, or a smaller guest list, our corporate event management team can create the perfect event for your business. We have extensive experience negotiating with agents, managers, and acts like Mickey Gilley themselves.

We can get the entertainers you desire to perform at your event.

Whether you are booking corporate entertainment, planning a corporate party or looking for festival or convention entertainment, we have the right experience you are looking for.

We will be the liaison between you and Mickey Gilley, ensuring a creative and successful event. We assure you a rewarding experience with Mickey Gilley. To get started finding out more about booking Mickey Gilley for your event, fill out the form below.

Festivals, parties, fundraisers, or any VIP event will benefit from the exclusive entertainment that OmniEntertainment offers. Whether you are a small business or a large corporation, you rely on us for your corporate event planning needs.

You should feel confident that the agency you have chosen is an experienced, professional entertainment booking agency. You’ve worked hard up until this point, so please contact Omni today to book Mickey Gilley!

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Mickey Leroy Gilley (born March 9, 1936) is an American country music singer and musician. Although he started out singing straight-up country and western material in the 1970s, he moved towards a more pop-friendly sound in the 1980s, bringing him further success on not just the country charts, but the pop charts as well.
Among his biggest hits are “Room Full of Roses,” “Don’t the Girls All Get Prettier at Closing Time,” and the remake of the Soul hit “Stand by Me”. Gilley has charted 42 singles in the top 40 on the US Country chart. He is a cousin of Jerry Lee Lewis, Carl McVoy, Jim Gilley and Jimmy Swaggart.

Gilley is a son of Arthur Fillmore Gilley (November 27, 1897 – February 2, 1982) and Irene (Lewis) Gilley (September 11, 1900 – August 14, 1985)[1] in Natchez, Mississippi.[2] For many years, Gilley lived in the shadow of his well-known cousin, Jerry Lee Lewis, a successful rock and roll singer and musician in the 1950s and early ’60s. Gilley grew up just across the Mississippi River from where Lewis grew up. Gilley, Lewis, and their cousin Jimmy Swaggart played together as children, and Lewis taught them his piano style. They sang both boogie-woogie and Gospel music, but Gilley did not become a professional singer until Lewis hit the top of the charts in the 1950s. Gilley then cut a few singles and played sessions in New Orleans with producer Huey Meaux. His record “Call Me Shorty” on the Dot label sold well in 1958. In the 1960s, he played at many clubs and bars, gaining a following at the Nesadel Club in Pasadena, Texas. Paula Records released Gilley’s first album, Down the Line, in 1967. He had a minor hit from the album called “Now I Can Live Again”.

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[wpts_spin] We {help|assist} make {corporate|business} {events|occasions}, {private|personal} {parties|celebrations}, fairs, {festivals|celebrations}, public {concerts|shows|performances}, and other gala {events|occasions} reach their {potential|prospective|possible} by {providing|offering|supplying} the artists that make your visitors {glad|happy|pleased|delighted|thankful|grateful} they came. From {booking|reserving|scheduling} {the best|the very best} in {entertainment|home entertainment} that {suits|fits|matches} your {budget|budget plan|spending plan} and {viewers|audiences}, to {coordinating|collaborating} all {aspects|elements} of the {performance|efficiency}, Omnientertainment works for you to {make sure|ensure|make certain} your {show|program} goes off {smoothly|efficiently}.

Please {don’t|do not} {hesitate|be reluctant|think twice} to {fill out|complete|submit} our {entertainment|home entertainment} {request|demand} {form|type|kind} {below|listed below} and your {assigned|designated|appointed} {representative|agent} will {contact|call} you to see Omnientertainment can {assist|help} you.

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From Wikipedia

{{A talent agent|A talent scout}, or {booking|reserving|scheduling} {agent|representative}, is {a person|an individual} who {finds|discovers} {jobs|tasks} for {actors|stars}, authors, {film|movie} directors, {musicians|artists}, {models|designs}, {professional|expert} athletes, {writers|authors}, {screenwriters|film writers}, broadcast {journalists|reporters}, and other {professionals|experts|specialists} in {various|different|numerous} {entertainment|home entertainment} or broadcast {businesses|companies|services|organisations} {but|however} {also|likewise} {agents|representatives}. In addition, {an agent|a representative} {defends|protects|safeguards}, {supports and promotes the interest|promotes the interest and supports} of their {clients|customers}. The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. {{For example|For instance}, there are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many more|a lot more|much more}.|There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}|The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}

{Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). {In many cases|Oftentimes|In most cases|In a lot of cases}, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. The {agent|representative} is paid {a percentage|a portion} of the star’s {earnings|profits|incomes|revenues} ({typically|generally|usually|normally} 10%). {{Therefore|For that reason}, {agents|representatives} are {sometimes|in some cases|often} {referred to|described} as “10 percenters”.|{Agents|Representatives} are {sometimes|in some cases|often} referred to as “10 percenters”.} {Various|Different|Numerous} {regulations|policies|guidelines} govern {different|various} {types of|kinds of} {agents|representatives}. The {regulations|policies|guidelines} are {established|developed} by artist’s unions and the legal jurisdiction in which the {agent|representative} {operates|runs}. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.|Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). In {many|numerous|lots of} cases, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.}

{Talent agents|Talent scout} are {considered|thought about} gatekeepers to their {client|customer}’s {careers|professions}. They have the {ability|capability} to {reshape|improve} and {reconstruct|rebuild} their {client|customer}’s image. They are dealmakers and {assist|help} their {client|customer} by {orchestrating|managing} {deals|offers} within the {entertainment industry|show business}, more {specifically|particularly} in the Hollywood {entertainment industry|show business}.

In California, {because|since|due to the fact that} {talent|skill} {agencies|companies|firms} are {working with|dealing with} {lucrative|profitable|rewarding|financially rewarding} {contracts|agreements}, the {agencies|companies|firms} {must|should|need to} be {licensed|certified|accredited} under {special|unique} {sections|areas} of the California Labor Code, which {defines|specifies} {an agent|a representative} as a “{person|individual} or corporation who {engages in|participates in|takes part in} the {occupation|profession} of procuring, offering, {promising|appealing}, or {attempting|trying} to {procure|obtain|acquire} {employment|work} for an artist or artists.

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