Taylor Swift Booking Agency | Taylor Swift Event Booking

Best Booking Agency For Taylor Swift For Private Parties, Concerts And Events

 

How much does it cost to book Taylor Swift?

For acts like Taylor Swift, most venues are paid up front, and they get paid whether the concert is successful or not. The average cost to rent an arena is around $20,000/night while the average cost to rent an amphitheater is around $10,000/night. Smaller acts cost less, but their audience can is also be less.

And for many people, hiring entertainment for an event can be an overwhelming task.

We are a leading entertainment booking and corporate events management company, specializing in booking acts like Taylor Swift

We handle every detail. Whether you have a crowd of thousands, or a smaller guest list, our corporate event management team can create the perfect event for your business. We have extensive experience negotiating with agents, managers, and acts like Taylor Swift themselves.

We can get the entertainers you desire to perform at your event.

Whether you are booking corporate entertainment, planning a corporate party or looking for festival or convention entertainment, we have the right experience you are looking for.

We will be the liaison between you and Taylor Swift, ensuring a creative and successful event. We assure you a rewarding experience with Taylor Swift. To get started finding out more about booking Taylor Swift for your event, fill out the form below.

Festivals, parties, fundraisers, or any VIP event will benefit from the exclusive entertainment that OmniEntertainment offers. Whether you are a small business or a large corporation, you rely on us for your corporate event planning needs.

You should feel confident that the agency you have chosen is an experienced, professional entertainment booking agency. You’ve worked hard up until this point, so please contact Omni today to book Taylor Swift!

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Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. Born and raised in Pennsylvania, Swift moved to Nashville, Tennessee, at the age of 14 to pursue a career in country music. She signed with label Big Machine Records and became the youngest artist ever signed by the Sony/ATV Music publishing house. Her 2006 self-titled debut album was the longest-charting album of the 2000s in the US, where it peaked at number five. The album’s third single, “Our Song”, made her the youngest person to single-handedly write and perform a number-one song on the Hot Country Songs chart. Swift’s second album, Fearless, was released in 2008. Buoyed by the success of pop crossover singles “Love Story” and “You Belong with Me”, Fearless became the best-selling album of 2009 in the US. The album won four Grammy Awards, with Swift becoming the youngest Album of the Year winner.

Swift was the sole writer of her 2010 album, Speak Now. It debuted at number one in the US and the single “Mean” won two Grammy Awards. Her fourth album, Red (2012), yielded the successful singles “We Are Never Ever Getting Back Together” and “I Knew You Were Trouble”. For her fifth album, the pop-focused 1989 (2014), she received three Grammys and became the first woman and fifth act overall to win Album of the Year twice. Its singles “Shake It Off”, “Blank Space”, and “Bad Blood” reached number one in the US, Australia, and Canada. Swift’s sixth album, Reputation (2017), and its lead single, “Look What You Made Me Do”, topped the UK and US charts; with Reputation, she became the first act to have four albums sell one million copies within one week in the US. Her upcoming seventh album, Lover (2019), spawned two US top ten singles, “Me!” and “You Need to Calm Down”.

Originally posted 2019-08-11 15:31:49.

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[wpts_spin] We {help|assist} make {corporate|business} {events|occasions}, {private|personal} {parties|celebrations}, fairs, {festivals|celebrations}, public {concerts|shows|performances}, and other gala {events|occasions} reach their {potential|prospective|possible} by {providing|offering|supplying} the artists that make your visitors {glad|happy|pleased|delighted|thankful|grateful} they came. From {booking|reserving|scheduling} {the best|the very best} in {entertainment|home entertainment} that {suits|fits|matches} your {budget|budget plan|spending plan} and {viewers|audiences}, to {coordinating|collaborating} all {aspects|elements} of the {performance|efficiency}, Omnientertainment works for you to {make sure|ensure|make certain} your {show|program} goes off {smoothly|efficiently}.

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From Wikipedia

{{A talent agent|A talent scout}, or {booking|reserving|scheduling} {agent|representative}, is {a person|an individual} who {finds|discovers} {jobs|tasks} for {actors|stars}, authors, {film|movie} directors, {musicians|artists}, {models|designs}, {professional|expert} athletes, {writers|authors}, {screenwriters|film writers}, broadcast {journalists|reporters}, and other {professionals|experts|specialists} in {various|different|numerous} {entertainment|home entertainment} or broadcast {businesses|companies|services|organisations} {but|however} {also|likewise} {agents|representatives}. In addition, {an agent|a representative} {defends|protects|safeguards}, {supports and promotes the interest|promotes the interest and supports} of their {clients|customers}. The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. {{For example|For instance}, there are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many more|a lot more|much more}.|There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}|The {way|method} old {talent|skill} {agencies|companies|firms} specialize, either by {creating|producing|developing} departments within the {agency|company|firm} or {developing|establishing} {entire|whole} {agencies|companies|firms} that {primarily|mainly|mostly} or {wholly|completely|entirely} represent one {specialty|specialized}. There are modeling {agencies|companies|firms}, {commercial|industrial|business} {talent|skill} {agencies|companies|firms}, literary {agencies|companies|firms}, voice-over {agencies|companies|firms}, broadcast {journalist|reporter} {agencies|companies|firms}, sports {agencies|companies|firms}, music {agencies|companies|firms} and {many|numerous|lots of} more.}

{Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). {In many cases|Oftentimes|In most cases|In a lot of cases}, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. The {agent|representative} is paid {a percentage|a portion} of the star’s {earnings|profits|incomes|revenues} ({typically|generally|usually|normally} 10%). {{Therefore|For that reason}, {agents|representatives} are {sometimes|in some cases|often} {referred to|described} as “10 percenters”.|{Agents|Representatives} are {sometimes|in some cases|often} referred to as “10 percenters”.} {Various|Different|Numerous} {regulations|policies|guidelines} govern {different|various} {types of|kinds of} {agents|representatives}. The {regulations|policies|guidelines} are {established|developed} by artist’s unions and the legal jurisdiction in which the {agent|representative} {operates|runs}. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.|Having {an agent|a representative} is not {required|needed}, {but|however} does {help|assist} the artist in getting {jobs|tasks} ({concerts|shows|performances}, {tours|trips}, {movie|film|motion picture} scripts, {appearances|looks}, {signings|finalizings}, sport {teams|groups}, {etc.|and so on}). In {many|numerous|lots of} cases, casting directors or other {businesses|companies|services|organisations} go to {talent|skill} {agencies|companies|firms} to {find|discover} the artists for whom they are looking. There are {also|likewise} {professional|expert} associations of {talent|skill} {agencies|companies|firms}.}

{Talent agents|Talent scout} are {considered|thought about} gatekeepers to their {client|customer}’s {careers|professions}. They have the {ability|capability} to {reshape|improve} and {reconstruct|rebuild} their {client|customer}’s image. They are dealmakers and {assist|help} their {client|customer} by {orchestrating|managing} {deals|offers} within the {entertainment industry|show business}, more {specifically|particularly} in the Hollywood {entertainment industry|show business}.

In California, {because|since|due to the fact that} {talent|skill} {agencies|companies|firms} are {working with|dealing with} {lucrative|profitable|rewarding|financially rewarding} {contracts|agreements}, the {agencies|companies|firms} {must|should|need to} be {licensed|certified|accredited} under {special|unique} {sections|areas} of the California Labor Code, which {defines|specifies} {an agent|a representative} as a “{person|individual} or corporation who {engages in|participates in|takes part in} the {occupation|profession} of procuring, offering, {promising|appealing}, or {attempting|trying} to {procure|obtain|acquire} {employment|work} for an artist or artists.

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